Language Arts
When the artist first began visiting commercial art galleries in the Chelsea neighborhood of Manhattan in the late 1990s, he was struck by two discoveries: 1) Language played a vital part in much contemporary art; 2) The writing really sucked.
Convinced he could do better, the journalist-cum-artist got to wordy, nerdy work. You be the judge if he succeeds in more than 1,000 works in 27 series where language is essential to the art.
Sketchy: America’s Most Unwanted
America’s most unwanted. 200 drawings.
Wall & Response: Two worlds, a wall and words of war or wonder. 100 drawings.
The CD series: Fictional albums from imaginary bands, with real, original songs, plus custom music videos: 2 color photographs displayed, front and back, within standard CD case (each approx. 4.75” x 4.75”); included is a DVD with original, AI-generated songs, corresponding to the listed tracks, plus bonus music videos
The artist’s disturbed twin brother, since disappeared, endeavored to build a new political party some years ago. His efforts failed miserably — phew! — but to honor his, er, eccentricity, the artist offers here samples of the political posters his brother printed and pasted around Manhattan to foment his class revolution. For those who disagree with and wish to interact with the depraved message, the artist conveniently includes 3 darts with each purchased print. Prick the target.
Placards for the best (fictional) bands playing live at the greatest (invented) bars, showing the (handcrafted) hand stamps given for re-entry.
A series also known as Sin SIgns: Naughty/Knotty/Noted.
Ensorcelled shapes, with the power to grant one very specific wish. 75+ drawings.
The words (and the profits) are written on the bathroom walls, and men’s room stalls. 35+ drawings.
What do you see? That’s what I thought.
Plates from other planets. 25+ paintings.
What the artist really looks like.
How to make a modern masterpiece: 1) Make mess with food coloring; 2) Mop it up with paper towel; 3) Think up great title; 4) Welcome to museum wall!
Nihongo neologism with creative characters.
The Pu Pu Platter of Contemporary Art: A painting, drawing, photograph and poem.
A branch of poetry, from A to Zen.
Colored blocks unlock creativity, like the start of an aborted version of The Great American novel (or at least a good short story), written by the artist.
Colors so new and neat they needed to be named and numbered.
Other Earths. Arguably.
If you have nothing nice to say, speak up.
Mirror, mirror, on the wall, what this country do we call?
Paintings of other planets’ sunsets (POOPS): As part of its interplanetary documentary program, NASA invited artists to accompany its missions to distant galaxies so they could paint these magnificent new worlds. But there was a problem. No traditional artistic media could survive the grueling effects of space travel: oil paint, acrylic, gouache, pencils, crayons, pens and even photographic film all deteriorated beyond use.
But after trial and error, one medium that could withstand the lightyears-long flights was discovered: Frozen ice cubes, dyed with food coloring. So NASA knew it had no choice but to recruit Bryant Rousseau, the foremost ice cube artist of our age, to use these chilly blocks of color to depict the alien landscapes at dusk.
Each painting records both the planet’s local name (closest pronunciation possible in human sounds) and its NASA-designated space number.
Encounters real, virtual and historical, captured and captioned.